|Lucie Jones as Maureen during the madcap Over the Moon|
When rock musical Rent first premiered back in January 1996, it became a runaway phenomenon. It was the Hair for the MTV generation. It showed what life was like for young bohemians living in New York City's East Village. It told the truth without filters. Aside from the fact the show itself was fantastic, Rent's full-on depiction of the seedier side of life made a cultural impact too. In 1996, Rent was a bold and shameless snapshot of the streets. Two decades later, it's more of a period piece, having lost some of its shock value as 21st century society has gradually equalled, then surpassed, what Rent has to offer.
Rent is built on vice and challenging themes. The audience is presented with a menu of sex, sexuality, bad language, HIV and drugs, some of which are too strong for younger viewers (indeed, one boy of about 13 or 14 was taken out of the show by his grandfather during the interval and never returned). In this gender-fluid, crystal meth-drenched, polysexual age, Rent's themes should be less shocking, and maybe they are for more established audiences, but for those just looking for a damn good musical with great songs, it still packs a punch some might not be prepared for.